Part 1: https://www.darkmoneyfilm.com/ “Dark Money” ($2.99 and up, YouTube, GooglePlay, Amazon) ; “Dark Days” ($3.99 on YouTube, Google Play, Amazon) 1) Write a 1-2 page review for each film. 2) Dark Money: *Check back for prompts later today (4/21/20) During the film, one interviewee says, “Campaign finance is at the heart of all of the policy decisions being made.” How do the filmmakers substantiate this statement? Your discussion should contain detailed, specific references to segments in the film. 3) Dark Days: Once you’ve watched Dark Days and have written a detailed review, watch this DVD extra, “The Making of Dark Days” with Marc Singer:https://www.youtube.com/watch?v=Q-hDwGWyO0g (Links to an external site.) Throughout the video, Marc discusses some of the unusual things he had to do to make this no-budget documentary. Discuss. Part 2: Knock, knock!; Who’s there?; Democracy? “Ai Weiwei: Never Sorry” (NetFlix, or $3.99 on YouTube), ‘Citizen4’ (iTunes) Class video lecture: https://youtu.be/QN5fMDV-kzw (Links to an external site.) Minimize Video Citizen4 https://citizenfourfilm.com/about (Links to an external site.) I. A. Write a 1-2 page review of Citizen4 B. 1. Why, in his own words, did Edward Snowden release NSA documents that contained sensitive content about information gathering, spying, etc.? 2. Why did Snowden choose independent filmmaker Laura Poitras, and independent journalist Glenn Greenwald to bring his NSA findings and his story to the general public? In addition to some of the things Snowden says in the film, here’s a couple of articles: https://www.theguardian.com/world/2013/aug/19/edward-snowden-nsa-secrets-glenn-greenwald-laura-poitras (Links to an external site.) https://thetyee.ca/Books/2014/05/30/No-Place-to-Hide/ (Links to an external site.) Ai Weiwei: Never Sorry http://www.aiweiweineversorry.com/ (Links to an external site.) II. A. Write a 1-2 page review of Ai Weiwei: Never Sorry B. 1. Describe the opening scene with the cat that is playing with some stick sculptures, the cat that has learned to open the door and go outside, and the dialogue from Ai Weiwei that accompanies this scene. What is the filmmaker trying to convey with this segment? 2. Through independent research, write a 1-2 page update on what Ai Weiwei has been up to since 2012 when the film was released. Include where he has been, and where he lives now. Part 3: “Ivory Tower” ($3.99 Amazon), “Sans Soleil” (Kanopy) Class video lecture https://youtu.be/FEjC_smgNWk (Links to an external site.) Paper prompts for part 3 of the final paper: I. Ivory Tower A. Write a review of the film which includes the various issues focused on, related to higher education. B. Chose one of the issues focused on in the film and discuss the ideas and/or actions suggested in attempts to effect change. Reference specific moments in the film and then discuss your thoughts re. how we might effectively address that particular sub issue. So, for example, the question of whether “it’s worth it”; What ideas are discussed in the film, and what are your thoughts? C. There is a division in our society related to the cost of higher education. Some argue that it should be free. Some argue that it isn’t really free, even for those who have to pay nothing. Do you find either side to be persuasive, and why? (If you find both sides persuasive, explain why.) Through independent research, find at least one reference from an authoritative source which supports your position. II. Sans Soleil A. Write a review of the film. Include your general impressions of the film — Did you find it confusing, hard to follow, etc.? B. How does Chris Marker meld his thoughts on memory and fiction in Sans Soleil? Why does he do this? Site specific moments from the film to support your discussion. This article may be helpful (you only need to read the first half of the article, from the beginning, up to, but not including “Looking closer at two hybrid films”): http://povmagazine.com/articles/view/hybrid-film III. Which film stood out for you the most this semester and why? Chose one, and explain, briefly what it was about the film that made a greater impression on you than any other. Part 1: https://www.darkmoneyfilm.com/ “Dark Money” ($2.99 and up, YouTube, GooglePlay, Amazon) ; “Dark Days” ($3.99 on YouTube, Google Play, Amazon) 1) Write a 1-2 page review for each film. 2) Dark Money: *Check back for prompts later today (4/21/20) During the film, one interviewee says, “Campaign finance is at the heart of all of the policy decisions being made.” How do the filmmakers substantiate this statement? Your discussion should contain detailed, specific references to segments in the film. 3) Dark Days: Once you’ve watched Dark Days and have written a detailed review, watch this DVD extra, “The Making of Dark Days” with Marc Singer:https://www.youtube.com/watch?v=Q- hDwGWyO0g (Links to an external site.) Throughout the video, Marc discusses some of the unusual things he had to do to make this nobudget documentary. Discuss. Part 2: Knock, knock!; Who’s there?; Democracy? “Ai Weiwei: Never Sorry” (NetFlix, or $3.99 on YouTube), ‘Citizen4’ (iTunes) Class video lecture: https://youtu.be/QN5fMDV-kzw (Links to an external site.) Minimize Video Citizen4 https://citizenfourfilm.com/about (Links to an external site.) I. A. Write a 1-2 page review of Citizen4 B. 1. Why, in his own words, did Edward Snowden release NSA documents that contained sensitive content about information gathering, spying, etc.? 2. Why did Snowden choose independent filmmaker Laura Poitras, and independent journalist Glenn Greenwald to bring his NSA findings and his story to the general public? In addition to some of the things Snowden says in the film, here’s a couple of articles: https://www.theguardian.com/world/2013/aug/19/edward-snowden-nsa-secrets-glenn-greenwaldlaura-poitras (Links to an external site.) https://thetyee.ca/Books/2014/05/30/No-Place-to-Hide/ (Links to an external site.) Ai Weiwei: Never Sorry http://www.aiweiweineversorry.com/ (Links to an external site.) II. A. Write a 1-2 page review of Ai Weiwei: Never Sorry B. 1. Describe the opening scene with the cat that is playing with some stick sculptures, the cat that has learned to open the door and go outside, and the dialogue from Ai Weiwei that accompanies this scene. What is the filmmaker trying to convey with this segment? 2. Through independent research, write a 1-2 page update on what Ai Weiwei has been up to since 2012 when the film was released. Include where he has been, and where he lives now. Part 3: “Ivory Tower” ($3.99 Amazon), “Sans Soleil” (Kanopy) Class video lecture https://youtu.be/FEjC_smgNWk (Links to an external site.) Paper prompts for part 3 of the final paper: I. Ivory Tower A. Write a review of the film which includes the various issues focused on, related to higher education. B. Chose one of the issues focused on in the film and discuss the ideas and/or actions suggested in attempts to effect change. Reference specific moments in the film and then discuss your thoughts re. how we might effectively address that particular sub issue. So, for example, the question of whether “it’s worth it”; What ideas are discussed in the film, and what are your thoughts? C. There is a division in our society related to the cost of higher education. Some argue that it should be free. Some argue that it isn’t really free, even for those who have to pay nothing. Do you find either side to be persuasive, and why? (If you find both sides persuasive, explain why.) Through independent research, find at least one reference from an authoritative source which supports your position. II. Sans Soleil A. Write a review of the film. Include your general impressions of the film — Did you find it confusing, hard to follow, etc.? B. How does Chris Marker meld his thoughts on memory and fiction in Sans Soleil? Why does he do this? Site specific moments from the film to support your discussion. This article may be helpful (you only need to read the first half of the article, from the beginning, up to, but not including “Looking closer at two hybrid films”): http://povmagazine.com/articles/view/hybrid-film III. Which film stood out for you the most this semester and why? Chose one, and explain, briefly what it was about the film that made a greater impression on you than any other. Purchase answer to see full attachment Tags: corporate finance Dark Money Film democracy in Montana User generated content is uploaded by users for the purposes of learning and should be used following Studypool’s honor code & terms of service.
MLA In-Text Citations: The Basics
Guidelines for referring to the works of others in your text using MLA style are covered throughout the MLA Handbook and in chapter 7 of the MLA Style Manual. Both books provide extensive examples, so it’s a good idea to consult them if you want to become even more familiar with MLA guidelines or if you have a particular reference question.
BASIC IN-TEXT CITATION RULES
In MLA Style, referring to the works of others in your text is done using parenthetical citations. This method involves providing relevant source information in parentheses whenever a sentence uses a quotation or paraphrase. Usually, the simplest way to do this is to put all of the source information in parentheses at the end of the sentence (i.e., just before the period). However, as the examples below will illustrate, there are situations where it makes sense to put the parenthetical elsewhere in the sentence, or even to leave information out.
General Guidelines
- The source information required in a parenthetical citation depends (1) upon the source medium (e.g. print, web, DVD) and (2) upon the source’s entry on the Works Cited page.
- Any source information that you provide in-text must correspond to the source information on the Works Cited page. More specifically, whatever signal word or phrase you provide to your readers in the text must be the first thing that appears on the left-hand margin of the corresponding entry on the Works Cited page.
IN-TEXT CITATIONS: AUTHOR-PAGE STYLE
MLA format follows the author-page method of in-text citation. This means that the author’s last name and the page number(s) from which the quotation or paraphrase is taken must appear in the text, and a complete reference should appear on your Works Cited page. The author’s name may appear either in the sentence itself or in parentheses following the quotation or paraphrase, but the page number(s) should always appear in the parentheses, not in the text of your sentence. For example:
Wordsworth stated that Romantic poetry was marked by a “spontaneous overflow of powerful feelings” (263).
Romantic poetry is characterized by the “spontaneous overflow of powerful feelings” (Wordsworth 263).
Wordsworth extensively explored the role of emotion in the creative process (263).
Both citations in the examples above, (263) and (Wordsworth 263), tell readers that the information in the sentence can be located on page 263 of a work by an author named Wordsworth. If readers want more information about this source, they can turn to the Works Cited page, where, under the name of Wordsworth, they would find the following information:
Wordsworth, William. Lyrical Ballads. Oxford UP, 1967.
IN-TEXT CITATIONS FOR PRINT SOURCES WITH KNOWN AUTHOR
For print sources like books, magazines, scholarly journal articles, and newspapers, provide a signal word or phrase (usually the author’s last name) and a page number. If you provide the signal word/phrase in the sentence, you do not need to include it in the parenthetical citation.
Human beings have been described by Kenneth Burke as “symbol-using animals” (3).
Human beings have been described as “symbol-using animals” (Burke 3).
These examples must correspond to an entry that begins with Burke, which will be the first thing that appears on the left-hand margin of an entry on the Works Cited page:
Burke, Kenneth. Language as Symbolic Action: Essays on Life, Literature, and Method. University of California Press, 1966.



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